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Friday Black
Cover of Friday Black
Friday Black

INSTANT NEW YORK TIMES BESTSELLER
"An unbelievable debut, one that announces a new and necessary American voice." Tommy Orange, New York Times Book Review
"An excitement and a wonder: strange, crazed, urgent and funny."George Saunders
"Dark and captivating and essential . . . A call to arms and a condemnation . . . Read this book." Roxane Gay
A National Book Foundation "5 Under 35" honoree, chosen by Colson Whitehead
Winner of the PEN/Jean Stein Book Award
Finalist for the National Book Critics Circle's John Leonard Award for Best First Book

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America.
From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.
These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all.
Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

INSTANT NEW YORK TIMES BESTSELLER
"An unbelievable debut, one that announces a new and necessary American voice." Tommy Orange, New York Times Book Review
"An excitement and a wonder: strange, crazed, urgent and funny."George Saunders
"Dark and captivating and essential . . . A call to arms and a condemnation . . . Read this book." Roxane Gay
A National Book Foundation "5 Under 35" honoree, chosen by Colson Whitehead
Winner of the PEN/Jean Stein Book Award
Finalist for the National Book Critics Circle's John Leonard Award for Best First Book

A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America.
From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.
These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all.
Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

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Awards-
About the Author-
  • NANA KWAME ADJEI-BRENYAH has an MFA from Syracuse University. His work has appeared or is forthcoming in numerous publications, including Guernica, Printer's Row, and Breakwater Review, where ZZ Packer awarded him the Breakwater Review Fiction Prize.

Reviews-
  • Library Journal

    May 1, 2018

    A George Saunders protégé whose short stories have won awards, Adjei-Brenyah publishes a much-anticipated first collection that highlights the painful absurdities of racism by putting its characters in unexpected situations.

    Copyright 2018 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    Starred review from July 9, 2018
    Adjei-Brenyah dissects the dehumanizing effects of capitalism and racism in this debut collection of stingingly satirical stories. The arguments that exonerate a white man for brutally murdering five black children with a chainsaw in “The Finkelstein 5” highlight the absurdity of America’s broken criminal justice system. “Zimmer Land” imagines a future entertainment park where players enter an augmented reality to hunt terrorists or shoot intruders played by minority actors. The title story is one of several set in a department store where the store’s best salesman learns to translate the incomprehensible grunts of vicious, insatiable Black Friday shoppers. He returns in “How to Sell a Jacket as Told by IceKing” to be passed over for a promotion despite his impeccable record. Some stories take a narrower focus, such as “The Lion & the Spider,” in which a high school senior has to take a demanding job to keep money flowing into his family’s house after his father’s disappearance. In “Light Spitter,” a school shooting results in both the victim and gunman stuck in a shared purgatory. “Through the Flash” spins a dystopian Groundhog Day in which victims of an unexplained weapon relive a single day and resort to extreme violence to cope. Adjei-Brenyah has put readers on notice: his remarkable range, ingenious premises, and unflagging, momentous voice make this a first-rate collection. Agent: Meredith Kaffel Simonoff, DeFiore and Company.

  • Kirkus

    Starred review from August 1, 2018
    Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our "ongoing racial dialogue" a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers' expectations. "The Finkelstein 5," the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, "Zimmer Land," is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or "problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: "The Era," for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called "Good." The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there's more in Adjei-Brenyah's quiver besides tough-minded satire, as exhibited in "The Lion & the Spider," a tender coming-of-age story cleverly framed in the context of an African fable.Corrosive dispatches from the divided heart of America.

    COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

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Nana Kwame Adjei-Brenyah
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