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Olive, Again (Oprah's Book Club)
Cover of Olive, Again (Oprah's Book Club)
Olive, Again (Oprah's Book Club)
A Novel
NEW YORK TIMES BESTSELLER
  • OPRAH'S BOOK CLUB PICK
  • Pulitzer Prize winner Elizabeth Strout continues the life of her beloved Olive Kitteridge, a character who has captured the imaginations of millions.
    "Strout managed to make me love this strange woman I'd never met, who I knew nothing about. What a terrific writer she is."—Zadie Smith, The Guardian

    "Just as wonderful as the original . . . Olive, Again poignantly reminds us that empathy, a requirement for love, helps make life 'not unhappy.'"—NPR
    NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY PEOPLE AND ONE OF THE BEST BOOKS OF THE YEAR BY Time Vogue
  • NPR • The Washington Post • Chicago Tribune Entertainment Weekly BuzzFeed Esquire Real SimpleGood Housekeeping
  • The New York Public Library
  • The Guardian Evening Standard Kirkus Reviews Publishers Weekly BookPage

    Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is "a compelling life force" (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout "animates the ordinary with an astonishing force," and she has never done so more clearly than in these pages, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire us—in Strout's words—"to bear the burden of the mystery with as much grace as we can."
    Praise for Olive, Again
    "Olive is a brilliant creation not only because of her eternal cantankerousness but because she's as brutally candid with herself about her shortcomings as she is with others. Her honesty makes people strangely willing to confide in her, and the raw power of Ms. Strout's writing comes from these unvarnished exchanges, in which characters reveal themselves in all of their sadness and badness and confusion. . . . The great, terrible mess of living is spilled out across the pages of this moving book. Ms. Strout may not have any answers for it, but she isn't afraid of it either."The Wall Street Journal
  • NEW YORK TIMES BESTSELLER
  • OPRAH'S BOOK CLUB PICK
  • Pulitzer Prize winner Elizabeth Strout continues the life of her beloved Olive Kitteridge, a character who has captured the imaginations of millions.
    "Strout managed to make me love this strange woman I'd never met, who I knew nothing about. What a terrific writer she is."—Zadie Smith, The Guardian

    "Just as wonderful as the original . . . Olive, Again poignantly reminds us that empathy, a requirement for love, helps make life 'not unhappy.'"—NPR
    NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY PEOPLE AND ONE OF THE BEST BOOKS OF THE YEAR BY Time Vogue
  • NPR • The Washington Post • Chicago Tribune Entertainment Weekly BuzzFeed Esquire Real SimpleGood Housekeeping
  • The New York Public Library
  • The Guardian Evening Standard Kirkus Reviews Publishers Weekly BookPage

    Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is "a compelling life force" (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout "animates the ordinary with an astonishing force," and she has never done so more clearly than in these pages, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire us—in Strout's words—"to bear the burden of the mystery with as much grace as we can."
    Praise for Olive, Again
    "Olive is a brilliant creation not only because of her eternal cantankerousness but because she's as brutally candid with herself about her shortcomings as she is with others. Her honesty makes people strangely willing to confide in her, and the raw power of Ms. Strout's writing comes from these unvarnished exchanges, in which characters reveal themselves in all of their sadness and badness and confusion. . . . The great, terrible mess of living is spilled out across the pages of this moving book. Ms. Strout may not have any answers for it, but she isn't afraid of it either."The Wall Street Journal
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    Excerpts-
    • From the cover Labor

      Two days earlier, Olive Kitteridge had delivered a baby.

      She had delivered the baby in the backseat of her car; her car had been parked on the front lawn of Marlene Bonney's house. Marlene was having a baby shower for her daughter, and Olive had not wanted to park behind the other cars lined up on the dirt road. She had been afraid that someone might park behind her and she wouldn't be able to get out; Olive liked to get out. So she had parked her car on the front lawn of the house, and a good thing she had, that foolish girl—her name was Ashley and she had bright blond hair, she was a friend of Marlene's daughter—had gone into labor, and Olive knew it before anyone else did; they were all sitting around the living room on folding chairs and she had seen Ashley, who sat next to her, and who was enormously pregnant, wearing a red stretch top to accentuate this pregnancy, leave the room, and Olive just knew.

      She'd gotten up and found the girl in the kitchen, leaning over the sink, saying, "Oh God, oh God," and Olive had said to her, "You're in labor," and the idiot child had said, "I think I am. But I'm not due for another week."

      Stupid child.

      And a stupid baby shower. Olive, thinking of this as she sat in her own living room, looking out over the water, could not, even now, believe what a stupid baby shower that had been. She said out loud, "Stupid, stupid, stupid, stupid." And then she got up and went into her kitchen and sat down there. "God," she said.

      She rocked her foot up and down.

      The big wristwatch of her dead husband, Henry, which she wore, and had worn since his stroke four years ago, said it was four o'clock. "All right then," she said. And she got her jacket—it was June, but not warm today—and her big black handbag and she went and got into her car—which had that gunky stuff still left on the backseat from that foolish girl, although Olive had tried to clean it as best she could—and she drove to Libby's, where she bought a lobster roll, and then she drove down to the Point and sat in her car there and ate the lobster roll, looking out at Halfway Rock.

      A man in a pickup truck was parked nearby, and Olive waved through her window to him but he did not wave back. "Phooey to you," she said, and a small piece of lobster meat landed on her jacket. "Oh, hell's bells," she said, because the mayonnaise had gotten into the jacket—she could see a tiny dark spot—and would spoil the jacket if she didn't get it to hot water fast. The jacket was new, she had made it yesterday, sewing the pieces of quilted blue-and-white swirling fabric on her old machine, being sure to make it long enough to go over her hind end.

      Agitation ripped through her.

      The man in the pickup truck was talking on a cellphone, and he suddenly laughed; she could see him throwing his head back, could even see his teeth as he opened his mouth in his laughter. Then he started his truck and backed it up, still talking on his cellphone, and Olive was alone with the bay spread out before her, the sunlight glinting over the water, the trees on the small island standing at attention; the rocks were wet, the tide was going out. She heard the small sounds of her chewing, and a loneliness that was profound assailed her.

      It was Jack Kennison. She knew this is what she had been thinking of, that horrible old rich flub-dub of a man she had seen for a number of weeks this spring. She had liked him. She had even lain down on his bed with him one day, a month ago now, right next to him, could hear his heart beating as her head lay upon his chest. And she had felt such a rush of...
    About the Author-
    • Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah's Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.
    Reviews-
    • Publisher's Weekly

      Starred review from August 5, 2019
      As direct, funny, sad, and human as its heroine, Strout’s welcome follow-up to Olive Kitteridge portrays the cantankerous retired math teacher in old age. The novel, set in small-town coastal Crosby, Maine, unfolds like its predecessor through 13 linked stories. “Arrested” begins just after the first novel ends, with 74-year-old widower Jack Kennison wooing 73-year-old Olive. “Motherless Child” follows the family visit when Olive tells her son she plans to marry Jack. In “Labor,” Olive awkwardly admires gifts at a baby shower, then efficiently delivers another guest’s baby. Olive also offers characteristic brusque empathy to a grateful cancer patient in “Light,” and, in “Heart,” to her own two home nurses—one a Trump supporter, one the daughter of a Somali refugee. “Helped” brings pathos to the narrative, “The End of the Civil War Days” humor, “The Poet” self-recognition. Jim Burgess of Strout’s The Burgess Boys comes to Crosby to visit brother Bob (“Exiles”). Olive, in her 80s, living in assisted care, develops a touching friendship with fellow resident Isabelle from Amy and Isabelle (“Friend”). Strout’s stories form a cohesive novel, both sequel and culmination, that captures, with humor, compassion, and embarrassing detail, aging, loss, loneliness, and love. Strout again demonstrates her gift for zeroing in on ordinary moments in the lives of ordinary people to highlight their extraordinary resilience.

    • AudioFile Magazine Kimberley Farr, who performed Elizabeth Strout's previous Olive Kitteridge novel to fine effect, does it again in this newest examination of Crosby, Maine's, odd and marvelous inhabitants, starting with Olive herself. Awkward, brusque Olive has a beau of sorts, a fellow with a large stomach and large issues. Despite the issues, he makes her feel loved. For more than that, you must listen. We also meet teenagers, pensioners, Olive's son and daughter-in-law, church ladies, law-breakers, shopkeepers, and other fascinating everyday folks. Farr has the plain accents and often abrupt speech down pat. She hints at personality without overplaying, and reads the stories with sympathy. They are full of tragedy and joy and life's flotsam and jetsam. Prepare to savor every word. A.C.S. Winner of AudioFile Earphones Award � AudioFile 2019, Portland, Maine
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      Penguin Random House Audio Publishing Group
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    A Novel
    Elizabeth Strout
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